The Possession of Hannah Grace – Opens Friday, 11/30
A shocking exorcism spirals out of control, claiming the life of a young woman. Months later, Megan Reed (Shay Mitchell) is working the graveyard shift in the morgue when she takes delivery of a disfigured cadaver. Locked alone inside the basement corridors, Megan begins to experience horrifying visions and starts to suspect that the body may be possessed by a ruthless demonic force.
The Favourite – Opens Friday, 11/30
Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne occupies the throne and her close friend Lady Sarah governs the country in her stead while tending to Anne's ill health and mercurial temper. When a new servant Abigail arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen's companion. Their burgeoning friendship gives her a chance to fulfil her ambitions and she will not let woman, man, politics or rabbit stand in her way.
Shoplifters – Opens Friday, 11/30
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu's wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.
Becoming Astrid – Opens Friday, 11/30
Teenaged Astrid Lindren (Alba August), who later went on to write the Pippi Longstocking series, leads a carefree life with her family in the forests and fields of rural Sweden. Restless and eager to break free from the confines of her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor, Blomberg (Henrik Rafaelsen). After Astrid becomes pregnant, she leaves her childhood home and goes to Copenhagen to secretly give birth to a son, Lasse, whom she reluctantly leaves in the care of a foster mother, Marie (Trine Dyrholm). Astrid goes into self-imposed exile in Stockholm, refusing Blomberg's offer of marriage and saving up her paltry salary for visits to see Lasse. When Marie falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her son. In spite of her struggles, Astrid emerges with a newfound courage that will later form the foundation of a vast and beloved body of work.
The Waldheim Waltz – Opens Friday, 11/30
Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim's wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election.
A Cool Fish – Opens Friday, 11/30
Cop-turned-security guard Ma Xianyong finds himself in a criminal twilight zone when two unrelated events turn his world upside down. The mysterious disappearance of his boss has implications for his financial security. Even more perilous is the abduction of his paralyzed sister who, unknown to Ma, makes a morbid deal with her captors.
2.0 – Opens Friday, 11/30
The threat posed by a deadly evil forces Dr. Vaseegaran to reassemble his robot Chitti, his last resort to fight the monster and save the world.