LAS VEGAS — To step into club XS at the Wynn Las Vegas is to enter the dreamscape of a modern artist with fetishes for gold and bronze and bodies in motion.

Another Italian eatery is preparing to open in the recently closed Anzio Landing restaurant space in Mesa.

It has become a real-life soap opera watched by people around the world and dozens of fanatics who camp out on a Phoenix sidewalk in the middle of the night to get into the show. One seat even sold for $200.

HEALDSBURG, Calif. — Sometimes visitors to MacMurray Ranch, the 1,500-acre (600-hectare) spread owned by movie and TV actor Fred MacMurray for a half-century, want to know: Where's the heliport? Where's the screening room?

I have to admit that this column is going to have few readers. For one thing, here is the only mention it will have of the name Jodi Arias. That’s it. Sorry.

The Norwegian directing team of Joachim Roenning and Espen Sandberg, whose biopic of World War II resistance fighter Max Manus was a huge hit on home turf, have turned to another native hero for "Kon-Tiki." One of the most-vaunted escapades of the 20th century, Thor Heyerdahl's 1947 Peru-to-Polynesia expedition by raft gets glossy big-screen treatment in this efficiently told action-adventure. Delivering visual drama and understated character study, sometimes in disappointingly formulaic fashion, the feature has its incisive moments but falls short as both epic and intimate portrait.

Nearly a month after the Diving Lady was again restored to her perch high above Main Street, the focus of the Mesa Preservation Foundation has shifted to restoring and reopening the also-historic Buckhorn Baths Motel.

Nearly a month after the Diving Lady was again restored to her perch high above Main Street, the focus of the Mesa Preservation Foundation has shifted to restoring and reopening the also-historic Buckhorn Baths Motel.

There's a siege mentality about Michael Bay's movies, as though viewers are the enemy holed up in a bunker and he's the guy ordering heavy-metal music around-the-clock to wear down our morale and force us to surrender.

With a reputation for being innovative and versatile, Dante Ariola made a name for himself directing commercials for the likes of Coca Cola, Nike and Lexus. What began as a substantial career in graphic design morphed into a myriad of film work, including music videos for bands like Cake and Cypress Hill, and a documentary short about wildlife conservationist Dr. Alan Rabinowitz, entitled “Man & Beast.”

NEW YORK — You might as well roll out the red carpet in front of the school gymnasium or hotel ballroom and line it with parental paparazzi: Prom season provides many girls a chance to have their moment in the spotlight.

It's a given at multiplexes these days that despite switch-off-your-cell-phone announcements and the occasional grumbling protest, whatever's onscreen will have to compete with tiny pockets of light from audience members unable to stay off their handhelds. Watching those glow patches come and go during "Disconnect" reinforces the film's position on how desensitized we've become to these technological intrusions. Not that Henry-Alex Rubin's schematic multi-strand drama is at all shy about articulating its themes.

Robert Redford does his most compelling work in some time as both actor and director in "The Company You Keep," a tense yet admirably restrained thriller about a fugitive forced out of hiding after 30 years to prove his innocence. Adapted with clarity and intelligence by Lem Dobbs from Neil Gordon's novel, and lent distinguishing heft by its roster of screen veterans, this gripping drama provides an absorbing reflection on the courage and cost of dissent.

"Blood-drenched" barely begins to describe Fede Alvarez's remake of "Evil Dead," a gore-for-broke affair that strips the flesh off Sam Raimi's cult-beloved comic-horror franchise and exposes the demons at its core. The presence of Raimi, original collaborator Rob Tapert, and star Bruce Campbell as producers should give the faithful permission to attend what would otherwise smell like a shameless exploitation of the 1981 film, but the high production values and nonstop action offered here should also please younger genre fans who've never bothered to rent it.

Words struggled to exit her throat: “They let us see him. I sat there, behind the curtains and sobbed and hugged my son’s leg. I pleaded, Oh God, Oh God! How can I live without him?” Ten years ago, this month, this East Valley mother buried her only son.

In a week when North Korea posted a homemade video showing the U.S. Capitol building being destroyed by a missile, what more logical response could Hollywood offer than a macho thriller about a Secret Service agent who takes on North Korean terrorists who attack the White House? The first of two similarly themed action dramas set for this year ("White House Down" arrives in June), "Olympus Has Fallen" will put to the test the question of whether American audiences are ready, 12 years after 9-11, to watch, strictly as disposable popcorn entertainment, a film in which the United States and some of its most prominent landmarks are devastated by foreign terrorists.

LOS ANGELES — A grave 12-year-old African girl, abducted from her village by vicious armed rebels and forced to wage war as a child soldier, guides the viewer through the horrors of Canadian director Kim Nguyen's engrossing Oscar-nominated drama "War Witch." Managing to be neither sentimental nor sensationalistic, the film tells its story from the heart, and from the simple, straightforward viewpoint of young heroine Komona, warmly played by the talented Rachel Mwanza in her screen debut.

Now I realize why the Democrats and Hollywood have such a close affiliation: It’s all about portraying their acting skills as demonstrated by Mark Kelly, apparently boo-hooing on Gabby Gifford’s shoulder at a gun control demonstration (last week).