Can sitcom 'Go On' maintain pilot's humorous edge? - East Valley Tribune: Tv

Can sitcom 'Go On' maintain pilot's humorous edge?

Print
Font Size:
Default font size
Larger font size

Posted: Wednesday, August 1, 2012 2:23 pm | Updated: 11:19 am, Fri Aug 3, 2012.

In the tradition of group therapy sitcoms of the past -- "The Bob Newhart Show," "Dear John" -- NBC's "Go On" gets humorous mileage out of the personalities of its support group members.

"Go On" offers a pretty strong pilot episode but, as always, the devil will be in the details once it begins airing weekly episodes. The series gets a sneak preview Wednesday night after NBC's Olympics coverage -- the network could not offer an approximate start time -- and marks the first series premiere of the 2012-13 TV season that will begin in earnest next month. ("Go On" will have its regular time period premiere at 9 p.m. Sept. 11.)

"Go On" stars Matthew Perry ("Friends") as Ryan King, a sports talk radio host and recent widower who wants to get back to work after his wife's death. But his boss (John Cho) insists Ryan attend grief counseling first.

At his first meeting, in patented Matthew Perry style, Ryan gets group members to compete to see who has the saddest sob story, an exercise that gets nicknamed "March Sadness."

Those competing for the crown include Anne (Julie White), whose partner died; Owen (Tyler James Williams), who refuses to talk much; and Mr. K. (Brett Gelman), who is just a creepy, weird scene-stealer.

When super-serious group leader Lauren (Laura Benanti) arrives to find the chaos Ryan has caused, she's displeased and Ryan is annoyed.

Lauren talks in therapy-speak with a penchant for saying peoples' names repeatedly ("Thanks for saying my name so much," Ryan says. "It's weird but it's nice") and Ryan eventually snaps.

"The talking, the wallowing, it keeps you from getting on with your life," he says before quitting the group. Of course, viewers know he'll be back; otherwise there would be no TV series.

Todd Holland ("Malcolm in the Middle") directed the pilot episode, which was written by Scott Silveri ("Perfect Couples," "Friends"). Together, they establish a pleasant tone for a series where tone really matters.

Get too heartfelt and earnest and "Go On" risks losing its comic edge; become too silly and it threatens to unmoor from any semblance of reality -- real characters, genuine emotions -- and become overly sitcomy.

The pilot achieves that delicate balance.

Perry's previous effort, ABC's 2011 comedy "Mr. Sunshine," also began with a decent pilot episode and then failed to grow or even sustain its premise. Can "Go On" fare any better?

A montage sequence featuring assorted group members gives reason to be optimistic that Silveri will take time to explore the dilemmas of characters beyond Ryan. But there's also a clanging warning of cliched plots ahead, as the show seems intent on creating romantic sparks between Ryan and Lauren.

Benanti's performance in last season's "Playboy Club" was one of that series' few highlights. In "Go On," she's saddled with a wet blanket character who only shows a hint of layered complexity toward the end of the pilot.

"Go On" presents viewers with the same challenge as many TV pilots: It's a pretty good introduction, but there's no guarantee future episodes will live up to that positive first impression.

More about

More about

More about

  • Discuss